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Introduction to the role of recitative in the opera (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-14

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Introduction to the role of recitative in the opera (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

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上の写真は、”総合芸術”として、オペラの鑑賞経験を介し、「美意識」「エレガンス」を磨き抜く道を歩む生井利幸事務所所管・英語道弟子課程弟子・H.K.さん(英会話道場イングリッシュヒルズ、「エレガンス・オブ・エレガンス」コース同時在籍)。

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You shall be aesthetically exalted through subtly tasting a constellation of seasoned tastes in listening to the opera. It is a beautiful mixture of the two, “a constellation of seasoned tastes prepared” and “the opera transcendentally composed through receiving the voice of God.”

生井利幸事務所 〒104-0061 東京都中央区銀座3-14-2 第一はなぶさビル5F
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