読み物カテゴリ： ‘文化・芸術論’
Deepness of love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Deepness of love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Virtue of straightforward love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Virtue of straightforward love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Are you pessimistic or optimistic in your interpretation? (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Are you pessimistic or optimistic in your interpretation? (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
The question is to be fiercely one of the lunatic fringe or not. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ The question is to be fiercely one of the lunatic fringe or not. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
I believe “love is very strong.” (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ I believe “love is very strong.” (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Culmination upon culmination (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Culmination upon culmination (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Justice is different from justification. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Justice is different from justification. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
The necessity of moderation (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ The necessity of moderation (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
There is the truth in you internally. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ There is the truth in you internally. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
“Recitative-style lecture”・・・総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」
総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」は、以下の如き「三段階のステージ」に分類されます。
＜第１ステージ＞
オペラ鑑賞に入る前の”事前準備学習”として、オペラに関する具体的内容について、無音の状態で「特殊講義」を行う。
＜第２ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、その都度、その場で音楽を止めて、無音の状態で「特殊講義」を行う。
＜第３ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、生井利幸自身もストーリーの中に入り、楽器の演奏、及び、オペラ歌手の歌声・歌い方・イントネーション、間の取り方などと”同時調和”させ、即興で（台本無し、即ち、講義原稿無しで”即座に”）、”Recitative-style lecture”（lecture dramatized in the opera)を行う。
補足：
生井利幸は、第１ステージ、及び、第２ステージにおいても、講義原稿無しで「特殊講義」を行います。
