読み物カテゴリ： ‘文化・芸術論’
Nothing disturbs you awfully in your experience to sentiently feel. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Nothing disturbs you awfully in your experience to sentiently feel. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
No scenario is written for your life yet. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ No scenario is written for your life yet. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
“Recitative-style lecture”・・・総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」
総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」は、以下の如き「三段階のステージ」に分類されます。
＜第１ステージ＞
オペラ鑑賞に入る前の”事前準備学習”として、オペラに関する具体的内容について、無音の状態で「特殊講義」を行う。
＜第２ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、その都度、その場で音楽を止めて、無音の状態で「特殊講義」を行う。
＜第３ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、生井利幸自身もストーリーの中に入り、楽器の演奏、及び、オペラ歌手の歌声・歌い方・イントネーション、間の取り方などと”同時調和”させ、即興で（台本無し、即ち、講義原稿無しで”即座に”）、”Recitative-style lecture”（lecture dramatized in the opera)を行う。
補足：
生井利幸は、第１ステージ、及び、第２ステージにおいても、講義原稿無しで「特殊講義」を行います。
Ax as a symbol of anger (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Ax as a symbol of anger (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
In romance, what you are feeling inwardly at this moment surpasses everything. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ In romance, what you are feeling inwardly at this moment surpasses everything. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Virtue of straightforward love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Virtue of straightforward love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Jealousy gives you a chance to emotionally face an entrance for you to be more passionate. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Jealousy gives you a chance to emotionally face an entrance for you to be more passionate. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Tones musically give you to be charmingly dramatic. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Tones musically give you to be charmingly dramatic. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Introduction to the role of recitative in the opera (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera)
⇒ Introduction to the role of recitative in the opera (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
![DSCN0619[1]](http://www.toshiyukinamai.com/wp/wp-content/uploads/2021/05/DSCN06191-e1620895128144.jpg)
上の写真は、”総合芸術”として、オペラの鑑賞経験を介し、「美意識」「エレガンス」を磨き抜く道を歩む生井利幸事務所所管・英語道弟子課程弟子・H.K.さん（英会話道場イングリッシュヒルズ、「エレガンス・オブ・エレガンス」コース同時在籍）。
![DSCN0616[1]](http://www.toshiyukinamai.com/wp/wp-content/uploads/2021/05/DSCN06161-e1620895216863.jpg)
You shall be aesthetically exalted through subtly tasting a constellation of seasoned tastes in listening to the opera. It is a beautiful mixture of the two, “a constellation of seasoned tastes prepared” and “the opera transcendentally composed through receiving the voice of God.”
