作家、生井利幸事務所

読み物カテゴリ： ‘文化・芸術論’

No scenario is written for your life yet. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

■Recitative-style lecture （”lecture dramatized” in the opera）
⇒　No scenario is written for your life yet. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

“Recitative-style lecture”・・・総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」

総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」は、以下の如き「三段階のステージ」に分類されます。

＜第１ステージ＞
オペラ鑑賞に入る前の”事前準備学習”として、オペラに関する具体的内容について、無音の状態で「特殊講義」を行う。

＜第２ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、その都度、その場で音楽を止めて、無音の状態で「特殊講義」を行う。

＜第３ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、生井利幸自身もストーリーの中に入り、楽器の演奏、及び、オペラ歌手の歌声・歌い方・イントネーション、間の取り方などと”同時調和”させ、即興で（台本無し、即ち、講義原稿無しで”即座に”）、”Recitative-style lecture”（lecture dramatized in the opera)を行う。

補足：
生井利幸は、第１ステージ、及び、第２ステージにおいても、講義原稿無しで「特殊講義」を行います。

Ax as a symbol of anger (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

■Recitative-style lecture （”lecture dramatized” in the opera）
⇒　Ax as a symbol of anger (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

In romance, what you are feeling inwardly at this moment surpasses everything. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

■Recitative-style lecture （”lecture dramatized” in the opera）
⇒　In romance, what you are feeling inwardly at this moment surpasses everything. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Virtue of straightforward love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

■Recitative-style lecture （”lecture dramatized” in the opera）
⇒　Virtue of straightforward love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Jealousy gives you a chance to emotionally face an entrance for you to be more passionate. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

■Recitative-style lecture （”lecture dramatized” in the opera）
⇒　Jealousy gives you a chance to emotionally face an entrance for you to be more passionate. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Tones musically give you to be charmingly dramatic. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

■Recitative-style lecture （”lecture dramatized” in the opera）
⇒　Tones musically give you to be charmingly dramatic. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Introduction to the role of recitative in the opera (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

■Recitative-style lecture （”lecture dramatized” in the opera)
⇒　Introduction to the role of recitative in the opera (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

上の写真は、”総合芸術”として、オペラの鑑賞経験を介し、「美意識」「エレガンス」を磨き抜く道を歩む生井利幸事務所所管・英語道弟子課程弟子・H.K.さん（英会話道場イングリッシュヒルズ、「エレガンス・オブ・エレガンス」コース同時在籍）。

You shall be aesthetically exalted through subtly tasting a constellation of seasoned tastes in listening to the opera. It is a beautiful mixture of the two, “a constellation of seasoned tastes prepared” and “the opera transcendentally composed through receiving the voice of God.”

The meaning of dulcet tones (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Recitative-style lecture （”lecture dramatized” in the opera）

⇒　The meaning of dulcet tones (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

無音の境地は、静寂の境地を超越する・・・超越的美意識の一側面

芸術や美学について、通常の方法ではなく、「地域的、且つ、固定的観念から完全に離れ、超越的に捉え、解し、さらには、自ら新しい作品を生み出す存在者」にとって、無音の境地は、実に、そのための大前提となる基本的境地であると明言できます。

以下、掲載した講義は、英語で美学を講義した内容ですが、同講義自体が、「生井利幸の美学・美意識・美感」でもあります。美意識のステージの高い読者は、「講義自体が演じている『超越的美意識』について捉え、感じ取る」ことができるでしょう。

■無音の境地は、静寂の境地を超越する
　⇒　英語音声講義

新着情報・英語音声講義・読み物一覧

• 2022.01.23　(文化・芸術論) NEW! The beauty to live by natural consequences (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
• 2022.01.20　(文化・芸術論) NEW! The entrance to enter strategically or sentimentally (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
• 2022.01.17　(文化・芸術論) Exaltation upon exaltation mentally and spiritually (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
• 2022.01.16　(お知らせ) 銀座書斎・茶話会
• 2022.01.16　(お知らせ) 40分間、「無の境地」を体験
• 2022.01.16　(お知らせ) 人生相談室（相談料：無料）
• 2022.01.15　(文化・芸術論) Renouncement of ego (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
• 2022.01.14　(文化・芸術論) A drop of water (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
• 2022.01.13　(今日の言葉) 今日の言葉
• 2022.01.10　(今日の言葉) 今日の言葉
• 2022.01.10　(今日の言葉) 今日の言葉
• 2022.01.08　(哲学への招待) 音で、「理性性の調整(tuning)・微調整(fine-tuning)」を図る上での基礎的問題、及び、課題について
• 2022.01.07　(今日の言葉) 今日の言葉
• 2022.01.05　(文化・芸術論) Culmination upon culmination (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
• 2022.01.02　(文化・芸術論) The ultimatum doesn’t come to you automatically. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)