AX

読み物カテゴリ: ‘文化・芸術論’

Taking action according to benevolence shall be your strength. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-26

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Taking action according to benevolence shall be your strength. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Nothing disturbs you awfully in your experience to sentiently feel. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-25

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Nothing disturbs you awfully in your experience to sentiently feel. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

No scenario is written for your life yet. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-25

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ No scenario is written for your life yet. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

“Recitative-style lecture”・・・総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」

2021-05-24

総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」は、以下の如き「三段階のステージ」に分類されます。

<第1ステージ>
オペラ鑑賞に入る前の”事前準備学習”として、オペラに関する具体的内容について、無音の状態で「特殊講義」を行う。

<第2ステージ>
オペラを鑑賞中、注目するストーリーに入ったとき、その都度、その場で音楽を止めて、無音の状態で「特殊講義」を行う。

<第3ステージ>
オペラを鑑賞中、注目するストーリーに入ったとき、生井利幸自身もストーリーの中に入り、楽器の演奏、及び、オペラ歌手の歌声・歌い方・イントネーション、間の取り方などと”同時調和”させ、即興で(台本無し、即ち、講義原稿無しで”即座に”)、”Recitative-style lecture”(lecture dramatized in the opera)を行う。

補足:
生井利幸は、第1ステージ、及び、第2ステージにおいても、講義原稿無しで「特殊講義」を行います。

Ax as a symbol of anger (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-24

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Ax as a symbol of anger (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

In romance, what you are feeling inwardly at this moment surpasses everything. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-22

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ In romance, what you are feeling inwardly at this moment surpasses everything. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Virtue of straightforward love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-21

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Virtue of straightforward love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Deepness of love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-19

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Deepness of love (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Jealousy gives you a chance to emotionally face an entrance for you to be more passionate. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-16

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Jealousy gives you a chance to emotionally face an entrance for you to be more passionate. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Spiritedly listening to the voice spoken by angel (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-05-16

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Spiritedly listening to the voice spoken by angel (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

生井利幸事務所 〒104-0061 東京都中央区銀座3-14-2 第一はなぶさビル5F
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