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読み物カテゴリ: ‘文化・芸術論’

オペラと薔薇の「華麗なる時空間」

2021-08-26

現在、銀座書斎「奥の聖域」では、日々、オペラの鑑賞が続いています。本稿の2番目の写真は、2021年8月24日(火)、ヴォルフガング・アマデウス・モーツァルト: 歌劇「フィガロの結婚」 K.494 を鑑賞する弟子・H.K.さん。

この日は、同オペラ鑑賞に先立ち、弟子・K.H.さんが、真心を込めてたくさんの赤い薔薇を飾りました。このたびのオペラ鑑賞は、華麗なる薔薇が、特設・オペラ劇場(銀座書斎「奥の聖域」)にて、さらにエレガント、且つ、華麗なる空気感へと導いてくれました。

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The prodigal son returns. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-08-21

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ The prodigal son returns. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Those two, “destination” or “destiny” (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-07-14

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Those two, “destination” or “destiny” (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

The dawn of a new stage (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-07-13

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ The dawn of a new stage (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Power of will (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-07-13

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Power of will (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

The artistically flowing and graceful movements of ballet precisely performed with tones (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-07-13

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ The artistically flowing and graceful movements of ballet precisely performed with tones (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Salubrious or insalubrious (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-07-12

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Salubrious or insalubrious (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Penetration extraordinarily penetrates penetration. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-06-30

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Penetration extraordinarily penetrates penetration. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

There is the truth in you internally. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-06-27

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ There is the truth in you internally. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

Tell yourself radiantly, “Example is better than precept.” (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

2021-06-23

■Recitative-style lecture (”lecture dramatized” in the opera)
⇒ Tell yourself radiantly, “Example is better than precept.” (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)

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