読み物カテゴリ： ‘文化・芸術論’
Delusion or reality (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Delusion or reality (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Base gives you all you need. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Base gives you all you need. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Nothing disturbs you awfully in your experience to sentiently feel. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Nothing disturbs you awfully in your experience to sentiently feel. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
No scenario is written for your life yet. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ No scenario is written for your life yet. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Ax as a symbol of anger (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Ax as a symbol of anger (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
In romance, what you are feeling inwardly at this moment surpasses everything. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ In romance, what you are feeling inwardly at this moment surpasses everything. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Jealousy gives you a chance to emotionally face an entrance for you to be more passionate. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Jealousy gives you a chance to emotionally face an entrance for you to be more passionate. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Tones musically give you to be charmingly dramatic. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Tones musically give you to be charmingly dramatic. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Introduction to the role of recitative in the opera (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera)
⇒ Introduction to the role of recitative in the opera (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
![DSCN0619[1]](http://www.toshiyukinamai.com/wp/wp-content/uploads/2021/05/DSCN06191-e1620895128144.jpg)
上の写真は、”総合芸術”として、オペラの鑑賞経験を介し、「美意識」「エレガンス」を磨き抜く道を歩む生井利幸事務所所管・英語道弟子課程弟子・H.K.さん（英会話道場イングリッシュヒルズ、「エレガンス・オブ・エレガンス」コース同時在籍）。
![DSCN0616[1]](http://www.toshiyukinamai.com/wp/wp-content/uploads/2021/05/DSCN06161-e1620895216863.jpg)
You shall be aesthetically exalted through subtly tasting a constellation of seasoned tastes in listening to the opera. It is a beautiful mixture of the two, “a constellation of seasoned tastes prepared” and “the opera transcendentally composed through receiving the voice of God.”
