読み物カテゴリ： ‘文化・芸術論’
The question is to be fiercely one of the lunatic fringe or not. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ The question is to be fiercely one of the lunatic fringe or not. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Justice is different from justification. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Justice is different from justification. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
The necessity of moderation (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ The necessity of moderation (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
There is the truth in you internally. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ There is the truth in you internally. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
“Recitative-style lecture”・・・総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」
総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」は、以下の如き「三段階のステージ」に分類されます。
＜第１ステージ＞
オペラ鑑賞に入る前の”事前準備学習”として、オペラに関する具体的内容について、無音の状態で「特殊講義」を行う。
＜第２ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、その都度、その場で音楽を止めて、無音の状態で「特殊講義」を行う。
＜第３ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、生井利幸自身もストーリーの中に入り、楽器の演奏、及び、オペラ歌手の歌声・歌い方・イントネーション、間の取り方などと”同時調和”させ、即興で（台本無し、即ち、講義原稿無しで”即座に”）、”Recitative-style lecture”（lecture dramatized in the opera)を行う。
補足：
生井利幸は、第１ステージ、及び、第２ステージにおいても、講義原稿無しで「特殊講義」を行います。
Eventually, true love remains forever. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Eventually, true love remains forever. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Renouncement of ego (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Renouncement of ego (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
You cannot taste the same water, again.・・・美学として捉える「仏教・禅宗における無常観の美しさ」
英語音声講義
⇒ You cannot taste the same water, again.（英語音声講義）
このたびの英語音声講義は、仏教・禅宗における「無常観の美意識」を英語で表現した”ポエティックな講義”です。表現する言語が西洋の言語（英語）でも、仏教の無常観について、美しく表現することができます。
読者の皆さん、是非、部屋のライトを消して、無常観の美意識を満喫してください。
It is absolutely beautiful to romantically feel “a sense of transiency” in the dark. Buddhistic beauty supernaturally surpasses description.
How do you listen to a song, “serenade”? (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ How do you listen to a song, “serenade”? (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Exaltation upon exaltation mentally and spiritually (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Exaltation upon exaltation mentally and spiritually (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
